Tuesday, September 29, 2015

I found the part of that claims "art can provide an alternate vision of reality" very interesting. Adorno is arguing in this case that autonomous art has the capacity to highlight the inequalities and irrationality of the status quo. It does this by representing an "ideal vision" of what we has humans can strive towards. Adorno goes onto argue that most radical forms of art o not contain a political message because they don't exist within the realms to demand change. I disagree with this as it pertains to today's society. Many radical art forms are seen in powerful political ways such as propaganda and other acts like feminism. Both are examples of potential cultural change.

My general thoughts are that Adorno believes the "cultural industry" was their to hinder the growth of the general masses and provide a softer lens from capitalism. Almost a distraction from reality if you will.

Thoughts on my interpretation?

Also, assuming I am spot on with Adorno's reasoning and logic, I would argue this does happen today. I believe our cultural industry today does provide a blanket from what is truly happening in our culture and society. You could argue that all of the pop culture, reality TV, sports, and other forms of art distract us from seeing the truth of the outside world. However, I am not sure if this is a bad thing or not. Adorno also brings up "complex art." Does complex art still exist today? Do we only grow as a society when challenged with complex art, which causes us to truly think and peal back reality?  

1 comment:

  1. I believe you basically got the point of Adorno's piece. Essentially he's arguing that the people in power use culture (or more specifically, the culture industry) to oppress the consumer masses and enforce the dominant ideologies onto them. In doing so, they stifle the creative ability of the masses, even in cases where being creative and developing new ideas would be beneficial to the masses.

    As for complex art, I believe complexity is a highly subjective concept, and we cannot easily bridge the barrier between authorial intent and observer interpretation to say that a piece of art is objectively complex. However, any type of art should be able to stir thoughts within the observer, and this can lead to the development of new ideas, which may or may not be in opposition to the dominant ideologies. That doesn't mean that art must be complex to incite change; it's just easier when said piece of art directly forces the viewer to reconsider a specific view, rather then leaving them to come up with ideas with only one piece of art as a catalyst.

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